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The Row Crossbody and Small Bags: An In-Depth Look

The Row is most associated with for large, understated leather totes and workhorses, though it is at the tiniest pieces that the design reasoning is simplest to unpick. On a crossbody or a clutch there is no room to hide — the proportions have to be correct, the closure has to shut cleanly, and the leather has to do the holding alone. This is a row bags overview focused on the smallest end of the range — crossbody styles, compact shoulder bags, pouches and clutches. Every figure is an observed 2026 market price noted in September of that year, not an official price list, because the brand publishes none. Where a piece is confirmed Made in Italy on the brand’s own product page, that is stated rather than assumed. Bags only here, with ready-to-wear and footwear left outside the frame.

What Defines a Small Bag Here

The Row bags show no exterior logo plaque and no monogram print, which leaves silhouette, proportion and construction to do all the identifying. You will see a discreet exterior stamp low on the side, merging with the leather, plus a second stamp inside. Hardware arrives palladium-plated with a matte or brushed finish, so it reads as weight and precision rather than shine. Linings are handled as luxury materials in their own right: nappa, lambskin, calfskin and cotton herringbone sit where other houses print logo jacquard. You can overlook those decisions on a large tote; on a clutch the size of a paperback there is nothing else to see. Which is why the small pieces offer the clearest introduction to how the label treats leather.

• Nothing in the way of exterior plaques, branded hardware or monogram print
• Silhouette, proportion and construction do the identifying
• A single discreet exterior stamp, plus one inside
• Palladium-plated hardware, matte or brushed
• Linings worked in nappa, lambskin, calfskin or cotton herringbone

The Crossbody Section of the Line

Crossbody styles form the most practical corner of the collection and, on observed 2026 prices, one of the most accessible. The band runs from roughly $1,290 to $2,550, so the entry point undercuts almost every top-handle style in the range. Orientation prefixes are the house naming convention, so N/S and E/W divide upright versions from wide ones within the same idea. stlaurentbag.com/shoulder-bags Since the Park family takes in the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody, it sits partly inside this group. Materials run to calfskin in smooth, grained and saddle finishes, with palladium-plated fittings throughout. None show visible branding, which is why they are bought as daily bags rather than occasion pieces.

The N/S Park Crossbody and the Rene Crossbody

At an observed $1,290, the N/S Park Crossbody is the smallest entry to the Park family that stops short of a tote. Same flat, unstructured logic as the rest of the family, just scaled down to be worn against the body rather than carried in the hand. Anyone who already owns a The Row tote bag from that line will find the same construction language, just at a fraction of the volume. The Rene Crossbody was observed at $1,350, landing just above it. Both sit inside the entry band of roughly $590 to $1,500 that the collection holds at its lowest end. If you are choosing a first row bag, this pair is the point at which the smallest outlay meets the fullest expression of the house style.

The Large Slouchy Banana, Izzy and Annie

The Izzy comes in several orientations: the E/W Izzy was observed at $2,300, the N/S Izzy at $2,490, with a Small Izzy shoulder version at $2,100. The N/S Annie Crossbody was observed at $1,950, falling between the entry crossbodies and the Izzy group. The Large Slouchy Banana was observed at $2,550, and the brand’s own product page states it as Made in Italy. When checked, the page listed waitlist availability rather than open stock, a familiar state of affairs for the label. These three lines occupy the upper half of the crossbody range, where structure and leather weight rise noticeably. These are also the pieces most often weighed against small shoulder bags rather than with each other.

Compact Shoulder Bags: Half Moon and the 90’s Bag

Half of the four signature models exist at this small scale, a fair measure of how seriously the label treats the format. Observed at $1,390, with a leather variant seen at $1,690 at a stockist, the Half Moon is confirmed Made in Italy. The published dimensions come to 8 x 13.5 x 2.5 inches; sources conflict on the exact numbers, so treat it as the official reading and not as a settled measurement. Observed at $1,090, the 90’s Bag is the cheapest of the four signatures; the 90’s Shoulder version was $1,450. Both lean on curve and drape rather than hardware for their identity. Together they are the least expensive real way into the top row bags, judged by silhouette rather than by category.

Clutches, Pouches and Evening Pieces

The clutch group is where construction detail becomes most visible, and the Bourse Clutch is the clearest case. At an observed $1,590 and confirmed Made in Italy, the specification runs to a calfskin exterior, a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. Above it, the Peggy Clutch was observed at $2,900 and the Dalia Baguette at $2,700, while the Squared Compact Clutch matched the Half Moon at $1,390. Evening formats go higher still: the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Observed at $1,950, Terrasse To-Go is a Made in Italy piece that reads as both clutch and small bag. Below everything else sit the pouches and small leather goods, with the Ray Pouch at $950 and $1,100, the Travel Pouch at $990, Sally at $1,000, the Cecily Mini Tote at $950, the Mini Barn Tote at $1,200 and the Double Travel Wallet at $590.

Observed 2026 Market Prices Side by Side

For comparison, the table lays out all the figures above in one place. Every number is an observed 2026 market price rather than a published official price list, and the brand issues none. Retailer prices can diverge from the brand’s own site, and currency, season and stock all shift the figure. Where two prices appear, they reflect either two versions or two sizes observed at the same time. This is a snapshot of how the pieces sat against each other, not a quotation. The relative ordering has proved more stable over time than the absolute numbers.

What the Small Bags Do on the Secondary Market

Resale figures describe observed market behaviour rather than investment advice, so take them as context rather than a reason to buy. In the Rebag CLAIR 2025 report the label recorded 97% value retention at brand level, entering the unicorn tier of 85% and above for the first time and following only Telfar, Hermes and Goyard. The Half Moon shoulder was logged at 106% retention in that report. By way of comparison across formats, that report gave the N/S Park Tote 146% and the Margaux Tote 107%. In a separate reading, the 90’s Bag is the riser of the group: eBay search volume was reported up around 55% year over year as of April 2025. The pattern is uneven. Canvas, nylon, sisal and seasonal colours discount on the secondary market, and it is black and neutral calfskin in the signature silhouettes that does the work.

Keeping One

No care protocol is issued by the brand, so treat the following as material-appropriate general guidance. Overfilling is the main risk with a small bag — the shape does the identifying, and a stretched gusset destroys it. Direct sunlight, heat and rain should all be avoided, and the piece stores best in its dust bag, lightly stuffed so it holds shape. Calfskin and grained finishes respond to buffing with a soft dry cloth, with neutral conditioner used sparingly. Since nappa and lambskin mark easily, use a dry cloth and steer clear of over-conditioning. On suede, a suede brush and nothing else: no cream, no wet wipes, no soap, no water-based cleaner, while raffia, canvas and silk or satin versions spot-clean but are the least serviceable of all.